Monday, November 30, 2015


I'm feeling kind of low energy today, so here's a couple pictures from my weekend. 




This is Relic. He's some kind of mastiff, my parent's back neighbor's replacement dog for the heroic Ronan, the husky/wolf protector of my sixteen year old self. I miss Ronan, but Relic is a good dog. 

Just to size those lion paws: that's the thickest part of my thigh, and I'm crouching. 


My brother, waxing his bowstrings. He shot a little buck with that on Friday.


My neighbor dug this up in the woods behind my house. It's incredible--I didn't realize my little part of Manassas saw action. But that's a hotchkiss shell from the Civil War. I don't recognize the other shell, but I'm just learning about matching Civil War shells to their artillery pieces, so... 


This is a really incredible piece: a piece of fossilized coral that turned to agate several hundred thousand years ago and then, a mere few thousand years ago, was found and shaped into a scraper by an American Indian. My friend Andrea hunts a particular river in Georgia which is known for these kinds of artifacts. On Sunday, she gave me a little box of some of her finds as an early birthday/Christmas present. They are incredibly lovely: scraps of deep blue, white, and amber or crimson.  You can still see the coral polyps along with the knap marks, or could if this were a better picture. I might post a few more because I like them and they make me happy. 



Thursday, November 26, 2015

Today, full moon in Gemini: a hard aspect up against Saturn.

Today, finished Cold Mountain. Spoiler alert: the handsome wonderful impossible unlikely rugged hunk male protagonist dies on the last page. If it were me, I wouldn't have let a dumb blond kid shoot me though. And I might have done a little more sex.

Today, I got a lot of compliments on my appearance from attractive strangers. Today, I bought Star Wars lipstick. I couldn't decided between light or dark side, so I got both. I wore "light side" on my run. It was silver bright.

Happy Thanksgoblin to us all.

Monday, November 23, 2015

the hierarchy is always apparent. though the legends cannot be trusted--- their source is the survivor, the one who has been


I haven't really posted any of the ruminative, cathartic post-Legends retrospectives I imagined I might write when it all finished. To be honest, I don't feel in a great place for it now. But it feels a little like back in 2013 when I just didn't do an end-of-the-year retrospective because it all seemed too hard and I was so crushed, and then that year slipped by without marking, and then the next. I don't want that to happen here. This thing is only here so I can look back in two years, or ten, and trace the line of where I was, more or less unfiltered. The game was so important to me, such a big, disruptive part of my life, and I loved it. It taught me a lot of things about myself and about the people I would come to call my closest friends.

When Legends started, I had about no friends. 2009 was such a year. I just gotten married, started grad school, moved to a brand new town where I knew no one. More than that, my two best friends since I was 12 had recently elected to dump me, which was hard and unexpected. I am a little shy and in my best state I rarely get close to people. Their sudden, random abandonment was devastating, and it changed me on a deep level. I still have a reactive, deep streak of fear for people turning on me or just ditching me entirely.

But the thing is, they didn't dump me because I'm the put-upon heroine of this story wherein the various monsters viciously turn on me. They dumped my ass because I was a conniving, nasty little snake, and when they were cruel to me during our long years of unhealthy friendship, I pitted them against each other with all the disinterest of a sociopath rubbernecking a fatal wreck. I've been petty and vengeful since I was a child. I see that now. I didn't see it then because I was young and my nature was mutable.

You could see how Legends might appeal to a bankrupt girl in this deserted state. Big heroes. Earnest, brave friends to the end: all that stuff that Legends was so built up on. I snapped up this myth hook, line, and sinker. 

When I made up Yan, I wanted somebody as different from me as possible. I wanted a confident, vulnerable, sweet, good-hearted idiot. I felt so jaded back then, so cautious with myself and suspicious of anyone and everything. I didn't like anything about myself, and I welcomed the chance to grow as a different person.

As stupid as it sounds, pretending those qualities coaxed them out a little in me. I figured how to be more open. I said yes, and then yes please. It was good for me. I learned how to do stuff I'd never taken agency for: how to be a valuable, hard-working person, mainly by modeling off other more productive people I watched. I was so impressed by these people I ran with, and I took as many opportunities as I could to grow there. I learned to be vulnerable and let people in.

To return to Yan, briefly: that central story involves a Swedish folk legend called Leap the Elk and Little Princess Cottongrass--or Tuvstarr, if we strip off the English. It's a tale about a sweet, golden naive girl who gets lost in the dark woods and comes upon a world-wise, protective elk who tries to help her even though she's fairly clueless. Throughout the fairytale, she loses more and more until she's naked. But each time she loses a possession, she refuses to believe in despair, insisting instead that the world is good and warm. She insists that she wants to do nothing but share joy and give light, while the elk warns her against this. Eventually the elk falls into rut and abandons her to death. 

These themes repeat. I always thought the important part of this was the message of relentless hoping, pouring goodness into the world regardless of what is given back. In the story I participated in for Legends, this worked out perfectly. Yan got his unrealistic happy ending and I'm glad for that. But I see it now as any greater metaphor: just a child's story. A dreamy fairytale. Not something real or ideal to duplicate when composing identity or life lessons.

The more interesting character is certainly Leap, who warns and then abandons the protagonist to his own need. Self-protective. I think this is the lesson I need now. I am standing at the edge of this year with cold reality stuffed in my mouth and all the hard realizations I put off until now filling me up. And that's fine. That's part of the world.




Wednesday, November 18, 2015

desertion

Today, I watched an middle-aged woman hug a gravestone. She wrapped her whole body around it even though she was not very large to begin with and the sheer size of the stone made her look tiny. She pressed her face against it. I was close enough to see her mouth touch the granite. She wasn't crying, she was just hugging it like she needed to hug that person and that person was now a stone.

Today, I stood in my hallway because my cell signal was spotty, and even though previously I had been sobbing like a child and tried to hide it to talk on the phone, the woman I didn't know from the "Report Lost or Stolen" branch of my credit card company made me laugh. We started talking, telling stories, and then we couldn't stop, but she had to keep going with her script. So she'd get a little ways into it and then burst out giggling, and I'd start again, and it was all really nice.

I'm tired and feeling a little desolate. I've been reading Cold Mountain, and I can't help thinking the central theme of Frazier's writing is men.So I've been thinking about men and being quiet. I think I'm smarter than a lot of what I've been feeling, so I'm going to skip all the exposition. I'm a little sick of my labels. The week isn't going great, but here I am, up late, licking this day from my fingers.


See? The knife I carry?
It cuts my smile even wider.
-The Good Fight, by Ada Limon

Sunday, November 15, 2015

step back from the line of fire

I told myself I could have one hot mess of a week to feel real bad, drink too much, break down on runs, ignore my chores in favor of writing long, sad descriptions of Nithavellirian mountains and watch TV. Now that's done and I'm moving on. 2000 iu Vitamin D and getting back to work. We cleaned and aired the house; I made a pumpkin cheese cake and a broccoli cheese soup with salad and bread for tonight. It's important for me to keep in mind that for all my skirts and dumb poems, I'm a hard, practical sort of bitch at the core, the kind of girl who, historically, would spare her own life on account of promises regarding pumpkin pies. It's really beautiful weather we're having.

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Last weekend was so good. If it stays this warm, I'll camp into December. It doesn't even need to be dry. Fuck doing anything else except being out in the woods. 

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I might have gone overboard on the pumpkins this year. I knew I had a lot of baking to do with them, so I filled up my front porch pretty well. Now every time I go out to choose one to sacrifice to the many things needing to be cooked with pumpkin, I feel like I'm picking out a beloved chicken to chop. That's a bit of an exaggeration, I guess, but I'm not messing around about how much I like pumpkins.



Wednesday, November 11, 2015

babe, it got away from me, it got away from me

I'm not good for much this week. I realized it was a bad anniversary from all that November incident two years back, but too late to make anything of it in the way of self-preservation or learning from anything. No tidy lessons for me this time around. I've felt very unable to articulate in my usual way. Very blank. I thought myself right out and now I am composed of simply physical things: cold hands, a ripped fingertip from a metal edge, my too long legs tangled up under me, tired eyes.